|
Leeds College of Art
BA (Hons) ILLUSTRATION
|
Level
|
04
|
OUIL405 Visual Narratives
|
Credits
|
20
|
End of
Module Self Evaluation
|
NAME
|
Megan Ojari
|
1. Which practical skills and methodologies
have you developed within this module and how effectively do you think you are
employing them within your own practice?
|
|||||
Working in a group was something I hadn’t done much
of this before, and although at times we disagreed and some parts were quite
stressful, I now understand the importance of working with other
practitioners. I now feel a lot more confident in this situation, as I am
able to present my own ideas whilst still looking at the bigger picture of
the project and not be narrow minded about how it should look. Also, based on
feedback from the last module I worked a lot more with roughs, to quickly and
efficiently put my ideas into a visual format to reference later and develop.
I learnt many practical skills like how to use InDesign and how to operate
book binding machines such as the folder and guillotine. I also explored the
fusion between media, especially collage and flat line, and how digital
formats can be used without loosing the hand rendered feel, both important
skills to transfer to my future practise.
|
|||||
2.
Which approaches to research have you found most valuable during this module.
How have you interrogated your research to identify appropriate ideas?
|
|||||
Through going out and meeting people and
experiencing my chosen topic I gained a valuable insight into the field. Even
though I didn’t use a lot of the data I gathered (Photos, quotes, recordings)
In my development, they still helped helped me to develop ideas through being
immersed in my topic. I broadly explored many different leads from my
research, then with the help of my peers and tutors, I narrowed it down to
the most effective and interesting idea. Overall I found the process of using
drawings alongside photography helped me to explore the location even after I
left, which I think helped my work feel more alive. I also found taking
photographs of my friend actually putting on as many coats as we could find
very helpful, as drawing from reference with those really helped me to
capture the movement of the character.
|
|||||
3.
What strengths can you identify within your submission and how have you
capitalised on these? What aspects of your submission are you satisfied with?
|
|||||
I have experimented a lot more in my ideas stage through
mixing media and rough development, and I think that not worrying about
having to have every piece ‘finished’ meant I explored a far wider range of
ideas and methods. I was a lot more flexible with where the project was
going, and didn’t have an ‘end idea’ so just let my research and
experimentation lead my practise. In addition, I also worked hard in my
collection and research, as I put myself out there and didn’t settle for easy
paths, meaning I got a much more unique response to my chosen topic, such as
the fabrics which I collected through photography in two locations. Overall,
I feel I created a unique, high quality product which has quite a bit of
personality and charm whilst still being a functioning, humorous concertina
book which fits the brief, as the question of ‘How many coats are too many?’
really is an untold story.
|
|||||
4.
What areas for further development can you identify within your submission
and how will you address these in the future?
|
|||||
I could have spent a longer time developing my artwork,
as if I had another week some of the compositions would have been crisper,
and the layering of the coats would have been more realistic. However, I
quite like the simple, quick, quiet drawings I produced for this project, but
with more practise with the line work I could have eliminated the use for
much digital work and not had to alter the form of my images post production.
In the future I will ensure I practise the production of my pieces before I
make my final outcomes so that they are more controlled. I will also use
media more exhaustively in the roughing stage, like the collage in my
Sheffield hot dog book, so that it is easier to see how the final outcome may
look. And I will ask for feedback earlier on in my project so that I have
some external opinions to reflect on throughout the project.
|
|||||
5. How
effectively are you making decisions about the development of your work?
What strategies
informs this decision making?
I found group critiques very helpful, as I found it
very useful to voice my concerns over my work and ask specific questions
which I had been struggling to answer. I also found it helpful to talk to my
tutors about small concerns I had rather than just struggle through by
myself. This helped me to make informed decisions based upon more than just
my preference, with also the potential and reception of my work considered. I
also let my research and development lead my direction, as even if I thought
I’d found the visual solution, I pushed myself to come up with more, even
taking a few steps back and almost starting again, which lead me to develop
ideas which I wouldn’t have pursued initially. I also found the quick bullet
pointed reflections I undertook on my blog were very helpful, as this regular
consideration of my work helped me to grow and adapt my work once I had had a
chance to detach myself and think about it afterwards.
|
|||||
6.
How effectively have you managed this project and organised yourself during
this module?
I organised my time well during the last few weeks
of this project, as I stayed late a few evenings and ensured I wasn’t wasting
blocks of time, which may have been partly down to the group activity of
making a timetable which I could reference to plan my time. I also really
discovered the importance of experimentation and play and once I let this
dictate what I was doing, and simply blocked out time to see what happens
with my work rather than strictly impose a timetable of amount of pages by a
certain time, which helped me to really enjoy what I was creating and helped
me to explore wide ideas.
|
|||||
7.How would you grade yourself on the following
areas:
(please indicate using an ‘x’)
5= excellent, 4 = very good, 3 = good, 2 = average,
1 = poor
|
|||||
|
1
|
2
|
3
|
4
|
5
|
Attendance
|
|
|
|
|
x
|
Punctuality
|
|
|
|
x
|
|
Motivation
|
|
|
x
|
|
|
Commitment
|
|
|
|
x
|
|
Quantity of work produced
|
|
|
x
|
|
|
Quality of work produced
|
|
|
|
x
|
|
Contribution to the group
|
|
|
|
x
|
|
The evaluation of your work is an important part of
the assessment criteria and represents a percentage of the overall grade. It
is essential that you give yourself enough time to complete your written
evaluation fully and with appropriate depth and level of self-reflection. If
you have any questions relating to the self-evaluation process speak to a
member of staff as soon as possible.
|
· A printed copy of this
evaluation should be submitted with your work.
· A copy of your end of
module self evaluation should be posted to your studio practice blog. This
should be the last post before the submission of work for this module and will
provide the starting point for the assessment process.
· You should also post a copy
of your evaluation to your PPP blog as evidence of your own on going
evaluation.
Notes
/ Comments for the Module Leader
|
If
GIFs don’t play in preview, highlight then press command + I to see animation
|
Signature
Megan Ojari
|
No comments:
Post a Comment