Wednesday, 20 January 2016

Final outcome

Overall I'm pleased with how my concertina book has come out, and I think this was reflected in the feedback I received on Tuesday, which was mainly positive, especially about how simple the idea and techniques were, mixed with the busy prints on some of the layers.

Best parts:
- 'charm' of the piece, I like how I seem to have captured quite a bit of personality in my images
- Construction of entire book, and how the simplicity of it's construction mirrors the simplicity of the work
- Fusion between hand rendered and digital to create a fairly analogue looking piece whilst having the benefits of being easily adapted digitally
- Simple text, mirrored my the basic '16' on the back to create just a small context for narrative

Things I would do differently:
- Attachment tabs, I would work on these longer to develop a cleaner shape
- Ink is over the fold on one part, I would make sure that the artwork was comfortably contained in the page size
- Change the first coat so it is the same colour as the cover in order to create a feel of cohesion from the start
- The position of the last figure in order to carry on the movement right until the end

Main things I've learnt:
- To take my time over the simple tasks, such as measuring and sketching in order to get the result I want
- How inDesign works and its importance within print
- The effectiveness of a basic idea explored thoroughly
- The process of making a book

Closed book

Tabs

How the book functions

Page 1

Page 2-3

Page 4-5

Page 6-7

Page 8-9

Page 10-11

Page 12-13

Page 14-15

Page 16

Side view

Concertina book


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